#Trigger filter in fabfilter volcano software#
#Trigger filter in fabfilter volcano free#

Keyboard pad mode for Jam that mimics Push’s mode where the root notes are aligned on the left column (minor) and each octave is symmetrical vertically. Drag and drop loops, accapellas, risers etc onto a determined bar length and turn that sound on/off for different patterns to engage their playback.īetter/easier macro mapping (multiple parameters please!) ‘Audio’ sounds as well Midi - Imagine if you could toggle to have a group’s sound as an audio sequence rather than piano roll (Midi). Macro automation lanes in scene arranger for global automation pads etc you run the risk of mistiming the pattern change and not triggering the notes. If you have patterns with long midi notes i.e. It really sucks triggering patterns live where it is instant rather than waiting for a smart length of time i.e.

‘Wait’ mode for scenes/patterns by either scene length, pattern length or bar length. If alt up/down is shift via semitone, then potentially shift-alt up/down could be octave? In Maschine however it must be done on the controller which is a pain. Shifting notes around by octave is an every-day task, and in ableton this is easily done via shift-up/down selected midi. Shift Midi notes via octave with hot key (Shift-Alt Up/down) Most likely the Jam, as the Mk2 has screens so can be navigated without laptop screen.

#Trigger filter in fabfilter volcano software#

I could imagine a ‘link’ switch up by the hardware icons on the UI that could be un-ticked, and perhaps a means to give software UI priority to a controller of choice. I can see the pros of this at times, but would like to turn it off too so i can have drums on the Mk2 and bass keys on the jam. It frustrates me though that the two controllers always follow each other, a change of page on one will change the other. When playing live, I usually use both the Jam and Mk2 as they obviously pair great. Whoops i just replaced my kick with a snare.

Currently in maschine to re-trigger a sample you still have to click it, and clicking too fast will load it. This means you can actually sort of jam that sample with the beat during playback to test if it might work. Speaking of filter (and more importantly compressor as well), why can't you see the side-chain controls when in mix view? thats weird.not a deal breaker live tho.Ībleton Live has a great little feature where when browsing the library, a right arrow will re-trigger/re-preview a sound without loading. An auto engage switch that would deactivate the filter when at zero (LP at bottom, HP at top) would be great. Have been either sucking it up, keeping the res down or using fabfilter volcano for the task. Problem is the built in filter is not transparent when at zero (LP or HP) and will always degrade the audio, especially with resonance up.

#Trigger filter in fabfilter volcano free#

If any of these already exist, feel free to laugh at me and then inform me.įor just about every project, I set up a HP filter and reverb on the master, assign to macros, and map to a dedicated controller such as Akai lpd8 so I can always reach for a classic ‘washout’ for instant breakdowns with the band on stage, or just when messing around making parts. The following things are little changes rather than vague blue-sky requests! I’m a fan of using Maschine rather than Ableton for several reasons, but there are a few things that keep popping up. Hey guys, have recently started using maschine again after picking up a Jam and started playing on stage again.